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Situated at Chatterley Whitfield coal mine near Stoke-on-Trent, Archiving the Ruin explores how we can work with a historically significant post-industrial site now in extensive disrepair.
Much of the existing fabric is lost, unsalvageable, or in need of costly, extensive repair. The site is of vital significance to local residents, ex-miners, and the country. Chatterley Whitfield was once the largest mine in the North Staffordshire Coalfield and is widely considered the most comprehensive surviving example of a colliery in England.
Years of neglect mean Chatterley Whitfield is rapidly falling into ruination. Entropy is irrepressible, finances limited, preservation of what can be salvaged the priority. The Friends of Chatterley Whitfield recognise not everything can be saved; parts of the site will be let go in a process of ‘graceful decay’. How can landscape receive the memory of these buildings as interiors become exteriors, as elevations collapse into plan?
This project asks how we can archive a place as it falls apart, as architecture becomes landscape. Hedges echo buildings long gone, walkways weave through overgrown ruins, paths wind through an unfolding ruin forest.
Yew topiary rises as the Winstanley’s brickwork falls into ruin; a planted archive of architectural features less readily preserved in conventional analogue archives. Planting form is maintained, incongruous in a landscape otherwise falling apart.
Whilst the boiler maze undergoes regular inspections, and visitor walkways bridge areas of ‘stable ground’, a ruin undergoing collapse is an inherently risky place to inhabit. Protective equipment is to be worn by visitors to help mitigate risk.
Drawing conventions draw on existing site conditions. Tree canopies extracted from aerial imagery, brick collapse traced from video analysis, coal seam hatches extracted from archive documents, digital photogrammetry meshes offset into plan forms.
A previously ‘forbidden zone’ of the site is opened up through paths recalling former railway sidings, coal screens, and processing plants. Viewing steps invite visitors to appreciate industrial ecologies, ruderal birch forest allowed to take hold.
Creating a ‘growable’ physical model enabled an investigation of how topiary could be used to archive ruins. What and how we preserve is a cultural decision: constant maintenance is needed to inhibit ruination and fix heritage assets in time.